Many rivers to cross | But I can’t seem to find my way over | Wandering, I am lost | As I travel along White Cliffs of Dover

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It’s Easter Sunday, it’s April, and spring is here to stay. Regardless of whether you observe Easter as part of your religion, I wish you a peaceful day and I invite you to reflect on the good things that still shine in your life, despite our turbulent times.

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A few months ago, I had the honour to perform for the Jamaican Nurses Association. Here is one of the songs I played.

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When Toyin Adekale invited me to participate in the recording of “I’m That Woman”, I read the lyrics and felt seen. It is a track I am proud to have contributed to, and I am happy to share it once again in occasion of International Women’s Day.

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2025 saw me reaching a huge milestone: my first thousand YouTube subscribers. Not only that, but the views and interactions with my videos, both in short and long format, has steadily increased. It makes me very happy to know that my music and work are reaching more people!

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New year greetings from Millicent Stephenson

It is already January 2026 in more than half the world. The beginning of a new year is always exciting! Whether you are going all out this time, or you are having a quiet night, I hope that you have a wonderful time.

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Millicent Sax YouTube video image

I notice that I did not have any Christmas music on my YouTube channel, so this week I recorded Nat King Cole’s ‘The Christmas Song’, also ‘Mary’s Boy Child’, made famous by Boney M. What a great opportunity to put both my video and audio production skills to the test.

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Bull Ring Sunset by Ian Procter (2021) Used under the Pixabay content licence

Whether you are spending tonight and tomorrow on your own or with others, I hope you have a wonderful time. It has been a hectic year, with many ups and downs, and Christmas is a good moment to stop for a bit, take in the blessings alongside a deep breath, and get energised by the feeling of gratitude.

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screenshot of video where Millicent plays the saxophone

As a sax player, I aim to keep and honour the essence of the original song when I cover it, while also bringing the qualities of the saxophone to it. Additionally —and this is the fun part— I embellish the piece with my own personal touch.

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