Photo of Millicent playing the saxophone. There are teal and pink lights dots behind her

Here is the last clip I am going to share from the 2024 Caribbean Takeover files I found while browsing my folders the other day. In this one, I get off the stage to share the 70’s disco hit ‘Dancing Queen’ by ABBA with the audience.

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Sunset over a lake in Finland - Photo by Angela Schuster

Listen to my sax cover of the hit song ‘I Will Always Love You’ in the ballad version by Whitney Houston.

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It’s always a pleasure to play songs by the legendary Michael Jackson. For a wedding that took place last month, I included this cover of his 1979 hit ‘Rock With You’. Here is a clip.

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Sunset over a lake in Finland - Photo by Angela Schuster

‘You’re Still The One’ is arguably one of the best known songs of Shania Twain, which is a lot to say, given her extraordinary career as the best-selling female artist in country music history. Here is a sax version by The Millicent Stephenson Trio.

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Celine Dion has one of those voices that has moved the hearts of entire generations. In the same line of our cover of Whitney Houston’s ‘Run To You’, which is part of a movie soundtrack, for Celine we picked the main theme of the film Up, Close & Personal: ‘Because You Loved Me’. Have a listen here.

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Many rivers to cross | But I can’t seem to find my way over | Wandering, I am lost | As I travel along White Cliffs of Dover

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It’s Easter Sunday, it’s April, and spring is here to stay. Regardless of whether you observe Easter as part of your religion, I wish you a peaceful day and I invite you to reflect on the good things that still shine in your life, despite our turbulent times.

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New year greetings from Millicent Stephenson

It is already January 2026 in more than half the world. The beginning of a new year is always exciting! Whether you are going all out this time, or you are having a quiet night, I hope that you have a wonderful time.

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screenshot of video where Millicent plays the saxophone

As a sax player, I aim to keep and honour the essence of the original song when I cover it, while also bringing the qualities of the saxophone to it. Additionally —and this is the fun part— I embellish the piece with my own personal touch.

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