Sign-Ups To ‘Time For My Music’ Are OPEN!
‘Time For My Music’, my community-focused online programme that helps emerging female musicians reach their music goals and dreams, is open for new members from today until Sunday 13th July!
Multi Award Winning Female Saxophonist, Birmingham, UK, Jazz, Gospel, Reggae, Blues, Soul and Originals. 'Music for the soul'
‘Time For My Music’, my community-focused online programme that helps emerging female musicians reach their music goals and dreams, is open for new members from today until Sunday 13th July!
Today is International Workers’ Day! Let’s celebrate the achievements of workers across the globe to defend our rights and ensure better labour conditions for everybody. The origin of this holiday can be traced back to union movements, so let me tell you about the Musicians’ Union.
I took a five sessions funding course with Vernon Hogg and Davies Okeowo from Oxford Innovation Advice. They taught me about the different ways I could try to get funding, what is expected from funding applications, grants and sponsorships, how to do a pitch, and what to have in mind while doing business, among other things.
Thanks to a hearing health scheme by Help Musicians, I went to get moulds done for my own custom in-ear monitors earlier this year, all at a very affordable rate. Let me tell you how to apply too!
Learn about two great opportunities that BLiM offers to string and woodwind players from Black, Asian and ethnically traditionally underrepresented groups.
Season 3 of my podcast “Success Beyond The Score” will have transcripts for all the episodes. Keep an eye on my website and social media so you don’t miss them!
Some time ago, Sharon attended one of my “getting paid” webinars. She applied the principles discussed during the session and got good results, so she wrote to me to tell me all about it.
Check this overview of the three seasons of my podcast ‘Success Beyond The Score’ and learn where you can listen and/or watch all episodes.
Are there benefits for contacting the person who handles the microphones and amplification of sound at your gig in advance? Or is it best to wait until you get there?